Skip to content

Armored

armored-movie-pic-1

I reviewed Armored for Somethingawful.com this week:

EXPECTATIONS: As a film critic for many years, I will apply my knowledge and expertise to critique Nimrod Antal’s latest film, Armored. I have low expectations for the film, as it appears to be nothing but a mediocre heist piece for the plebeian masses. However, I will judge the film fairly. I am attending a small get-together beforehand, a rather boring party being held by some of my acquaintances. They tell me it will be, as they say, “a good time,” but really, I’d rather be at home listening to NPR.

Click here to read the full review.

Modern Rock

I often troll through old archives of websites I’ve posted on looking for scraps of my past. I just stumbled upon a copy of a short story I had written in 2003. At that time, I was suffering from severe depression and anxiety disorders, and I was failing out of school. This was for a Fiction Writing course. Enjoy.

###

Modern Rock

Sisyphus Jones glanced out the window at the oncoming traffic. The rain poured down onto the streets, and little smoke fumes would bellow out of the people as they walked by on the sidewalk, huddled underneath their umbrellas. To him, it seemed as though they were small locomotives traveling down a sidewalk railroad track, crossing each other as two trains would. He made the turn onto the next street. Today had been a good day at work. His supervisor allowed him extra time at lunch, where he could phone his daughter to see how she was doing. She had gotten the flu a few days ago, and her doctor had recommended she take a few days off from her schooling to get better. His wife had not been pleased with the doctor’s recommendations. She felt that a child should be tough. Sisyphus assumed that this was due to the way she was raised. He pulled into the street where his house was located. The rain had almost stopped, and he thought he could almost see the beginnings of a rainbow in the sky that afternoon. He had never seen one before, and it always seemed like whenever he was about to something would come in the way to disturb it. He reached his driveway, pulling in, making sure he stopped at the mailbox to grab whatever might be in there. It was like a mystery game to him. He enjoyed receiving letters from friends and family. However today, he only received bill payments. The bills never seemed to end. He often wondered what sort of man would willingly be put into a situation where he constantly was requested to give up more of his hard earned money.

“How was work today, Sis?” his wife murmured. Sisyphus had met Delores during a construction job in the downtown area. He had been on lunch break, and she was on her way to classes she was taking at a local technical college. Coincidentally, they would eat lunch at the same restaurant. Sisyphus had never had much luck in relationships, as it tended to seem like one failed venture after another through his high school days. However, he eventually scrounged up the courage to ask her out on a date.

“It was fine, honey. We got in a new order today, we have to rebuild that tower down on 5th and Milkenson, you know the one that got burned down by the arsonist?”

“The one on the news?” Delores rummaged through the bills.

“Exactly. That building had been around a long time. In fact, I think it was our company that put it up originally about 30 or 40 years ago.” Sisyphus walked into the living room. Linda, their daughter, was curled up on the couch asleep. The television blared a commercial, something about a brand new product that he had to buy. Life had been hard for the three of them early on in the city. Being a construction assistant supervisor didn’t pay well, and sometimes Sisyphus pondered whether he should try to get a better job to provide Linda with a future he’d be proud of providing. He let this thought sit with him as he went to bed. His middle-aged body reeled from the lifting he had to do today on the new shipment his company had received. He looked at himself in the mirror. He was much older than his wife, probably more experienced. They had met when he was in his 38, she being only 21, a college student. He was now 47. He wondered if she would ever age.

#

There wasn’t much left of the tower when the fire department finally reached it the night it burned down. Due to the local parade, they had had a difficult time reaching the building in time. Luckily, due to its isolation, the fire hadn’t spread to any other buildings, simply extinguishing the flames within it when the tower eventually collapsed. All that stood now was a smoldering pile of rubble and stone. Sisyphus wondered why the town had voted to rebuild the tower instead of putting something new in its place. It didn’t matter to him really, work was work, and he needed it to provide for his family. However sometimes it seemed somewhat repetitive. After all, his company constructs most of the buildings found around the city. He gazed at the blackened rubble of the former tower in front of him. When the buildings crumble, he’s there to clean it up.

“Hey Sisyphus, take a look at these plans. What do you think about the bracing system here?” One of his co-workers handed him the blueprints. It would take them a few months to rebuild the structure. He would be there to do it too.

The day ended with them finalizing the plans for shipping materials to the building site. Sisyphus started his car and pulled out into the intersection. Afternoon rush-hour traffic had already backed up the roads, so his old car didn’t move much after it was finally allowed onto the road by a friendly driver. With nothing to do, Sisyphus slowly let his gaze drift from straight ahead out towards the sidewalk next to him. The sunset glazed the city streets in an orange glow, partially obscured by various buildings and the occasional buildup of smog. People were scurrying around each other on the sidewalk to get to whatever destination they were headed towards. They appeared to be like rats. The thought of a bunch of giant rats scurrying among the streets of his favorite city quelled an uneasy feeling within Sisyphus that ended up being something between a chuckle and a guffaw.

#

The mail had come again. Sisyphus flipped through the many white envelopes. Most were bills for power, electricity, and medical insurance. He wondered if Linda’s recent battle with the flu had anything to do with the latter. The next letter in the pile was some sort of junk mail advertisement. The large bolded words on the front of the letter seemed to be blaring at him about being able to win millions of dollars, or some other sort of advertisement. He didn’t really care much anymore.

Delores came into the room and rummaged through the refrigerator, pulling out her ingredients for the usual dinner. He dreaded the thought of another helping of her “famous” tomato meatloaf dinner. It apparently was her mother’s famous recipe, but it didn’t sit well with Sisyphus.
“How was work, honey?” she said, as she opened up the thawed hamburger and began to wash her hands. She stared out the window at the neighbor watering plants across the street, not even paying attention to her actions as she performed them perfectly. “We should plant some roses soon, they’re in season, I hear.”

“Today is Saturday.” Sisyphus methodically replied, walking back into the living room to sit down at the couch. Maybe he would fake a stomach-ache tonight to avoid eating the famed meatloaf, he thought to himself. He sighed and picked up the newspaper that was lying on the couch next to him. Linda had already drawn mustaches on the pictures of local politicians in the business section. On the front page, a story read something about an unused bank that a sporting goods chain was planning on buying. The building was old, and would probably be demolished and replaced with a newly constructed store. The sliding door in front of him showed a view of the backyard. Sisyphus laid down the newspaper and walked across the living room to open the door. This was difficult, because he always had a tough time with the latch getting stuck. He knew that if he just jiggled it the right way, it would come open every time. After a couple of tries the thing finally gave up, and Sisyphus felt the cool air of dusk rush into the heated living room. He looked out into the yard. Patches of crab grass had made homes next to toys that Linda had played with the back yard. In the center of the yard lay an old doll. Years of rain and snow had ruined it, and now it was a barely recognizable menace. A few feet next to it sat the small tricycle that Linda had gotten for her birthday. It was only a year or so old, and had barely started to rust from age. In some parts it still retained the shine that Sisyphus remembered seeing reflected in Linda’s eyes when she opened the gift on her birthday. He let his eyes drift more. In the near corner of the yard, only a few feet to the right, was some new doodad that he remembered seeing in some commercial once. It was a child’s toy, and he guessed that Delores had picked it up for Linda last weekend, for it still looked brand new. Given the evidence he’d seen in the yard, however, it probably wouldn’t last forever. More toys would replace it eventually.

Dinner was served on the old oak dining table. It was the famous meatloaf, and Sisyphus approached it with dread. Every Saturday Delores would make this hellish dish, and every Saturday Sisyphus would never get used to it. He figured sometime he’d get completely sick of it and try to break the cycle, but for now he’d let her be content in continuing her family’s tradition. Sisyphus wondered if her father had the same reaction he did when he saw the meatloaf.

Delores looked up from her plate of meatloaf, “What are you laughing about, Sis?”

#

Green. Red. Green. Red. He stared at the traffic lights as they switched back and forth allowing a few cars between them each time like gatekeepers. He slowly moved along in his automobile, moving only a few feet along the road in the daytime traffic. As his attention drifted, he noticed the pedestrians walking along the sidewalk next to him. They all seemed to be scurrying off to locations, with determined looks upon their faces, like ants. He chuckled, reaching down to switch on the radio. A commercial blared, something about a new product he had to buy. He looked back at the ants on the sidewalk. One of them was carrying one of those new clothing items everyone had been talking about. Sisyphus forgot if something like that had come out last year or not. He wondered why anyone would go out and spend lots of money on something like that to be fashionable when something that’s supposed to be even better would come out next year. The commercial finished. The traffic light turned green and Sisyphus moved out into the round-about.

###

Reader Mail for A Serious Man

I received the following feedback today regarding my recent review of A Serious Man.

Hi Matt,

I’ve been enjoying the Awful Week at the Movies features lately, and
yours have been very enlightening.  I just saw A Serious Man last
night, also after having been to a Jewish Film Festival the week
before.  Your article had me laughing so hard, because I had exactly
the same experience as a goyim.  Even some not so friendly looks and
such.

Anyway, I was curious and had to ask if you live near Cary NC and
attended the film festival at Galaxy Cinema?  Seemed like quite a
coincidence otherwise.  I saw Praying with Lior, Beau Jest, and
Blessed is the Match, and it would be nice to discuss them with
someone else coming from a similar perspective to mine.

Take care, and I hope you keep churning out the awful reviews.

Stu

Dear Stu,

You are correct. I did attend the Triangle Jewish Film Festival at Galaxy Cinema. The only film I saw at the festival was Beau Jest, a romantic comedy so predictably awful that I left as soon as the following telegraphed scenario transpired:

EXT. PARK – NIGHT

Bob and Sarah are staring into each others eyes, the burning passion for each other barely contained by the chains of Sarah’s failing marriage. Sarah stares deeply into Bob’s eyes.

SARAH
“When you kissed me at my parent’s house, was that a Bob kiss or a David kiss?”

BOB
“That was a David kiss.”

Sarah looks down sadly. Bob leans in towards her.

BOB
“This… is a Bob kiss.”

Bob kisses her as the music reaches a crescendo. Matt leaves the theater.

I didn’t see any other films at that festival, mainly due to the restriction that I had to exchange money for a ticket to them. Also, in a surprising twist of fate, the tips that night for the staff working the concession stand were really good. I mean like… record breaking.

Gentilely Yours,
Matt Gronke

A Serious Man

Poster The Coens A Serious Man

My review for A Serious Man is now up on Somethingawful.com:

I recently attended a Jewish film festival at my local independent theater. I went there thinking I’d see some touching films dealing with the reality of Jewish life. Something that would be accessible to outsiders, but still touch the heart of those followers of the faith. I sat down to watch a romantic comedy. Ten minutes into the film, I realized the problem: Like a WASP at a Carlos Mencia show, I was completely lost. I didn’t get any of the Jewish in-jokes or references. Two people would be at a bar mitzvah and the rabbi would go “oiga boiga” and the theater would erupt in riotous laughter, knee-slapping, tears, coughing, and I would just be sitting there.

Read the full review here.

Red Cliff or, why American audiences are awful

I’ve been extremely excited about director John Woo’s Red Cliff, the epic tale set in Ancient China, ever since I heard the buzz about it months ago. The film clocked in at over four hours, and it is being released in two parts…. everywhere except the United States. What do we, the attention-deficit MTV-watching Americans, get for our viewing? A shortened down castrated two and a half hour version. For those of you counting, that’s going to be around 40% of the entire film missing.

Imagine if you cut 120 minutes out of Peter Jackson’s The Lord of the Rings: The Return of the King, which clocked in at 251 minutes. What would they cut? Half the battles, half the dialogue, scenes that aren’t “essential” to forward the story but still add to the atmosphere, scenes that you’d miss terribly.

I’m not sure whether or not this was a decision that was forced on Woo by the studios, or if it was something that he made the decision to do, but it’s unfortunate that audiences in America won’t be able to experience Woo’s complete vision until the film hits the shelves on DVD (which, if they decide to only release the shortened version, the shit will truly hit the fan).

Honestly, I don’t even plan on seeing this film until I am able to see the full, two-part four hour version. Anything less would be disrespectful to the director’s original vision. Perhaps if American audiences reject this attempt to cater to our attention-starved tastes, they’ll be more likely to release the complete versions of films in the future.

Ong Bak 2: The Beginning

ong_bak_2

This week I reviewed Ong Bak 2: The Beginning for the internet comedy website Somethingawful.com:

Martial arts films should be like pornographic films: Mostly action with a few strands of dialogue to move the plot along. Too much exposition and you’ll lose interest quickly. Ong Bak 2: The Beginning suffers largely from this problem and many others, and that’s why it’s an awful film.

Click here for the full review.

Amelia

amelia-poster

This week I reviewed Mira Nair’s Amelia for Somethingawful.com:

I have to admit, I was on board with this film in the beginning. Mira Nair is a great navigator, one who can tell a story when she is in her element. However, in Amelia, she seemed lost. The problem is that the film runs out of fuel towards the end and never really addresses Amelia’s ethos. What we get is Hilary Swank propelling us through a biopic that covers all of Amelia’s personal landmarks but misses the terrain. We see her historic flights and her turbulent relationship with her husband, but that’s all information that we could get from an encyclopedia. Combine that with the Hollywood sheen glossing over each frame and you’ve got a film that goes into a tailspin and never recovers. Since I’ve run out of airplane-related puns to use in this review, I’m going to wing it and delineate the myths and facts surrounding Amelia Earhart, her life and her disappearance.

Read the rest of the review here.

Thaw

the-thaw-20090817063737481_640w

Body horror is one of my favorite genres (I’m an admitted David Cronenberg fan) and I try to at least take a look at any body horror films that come my way. When I saw Thaw, a film starring a fat old Val Kilmer as an eco-terrorist in Canada, I had low expectations. I can safely say those expectations were met.

The basic plot of Thaw is as follows: A group of scientists on a research project in Canada somehow discover these parasitic insects under the melting ice. These insects burrow into someone and lay eggs, and then that person dies rather spectacularly when they’re eaten alive by a million insects. Apparently the reason they were uncovered was due to global warming, and there’s some sort of ecological climate change message in this film, but it fails miserably to make any real point. Could Al Gore have made An Inconvenient Truth more powerful if he’d hinted that we one day might unearth insects that will lay eggs inside our penises? (Hint: This happens in the film)

As a horror film, there’s a few redeeming moments. The violence and gore is enjoyable, the scares are somewhat successful but scattered around too much,  and the twist at the end is far-fetched and melodramatic. This film was released straight to DVD/Blu-Ray, and deservedly so. I saw an advertisement for it at the Red Box rental station in my local supermarket, and I considered whether or not it was worth the one dollar rental fee. I suppose a dollar is a fair price, but not one cent more.

Capitalism: A Love Story

My review for Capitalism: A Love Story is now up on Somethingawful.com.

There’s a certain frustration that is found in watching Michael Moore film a lower middle-class family being evicted from their house due to foreclosure. The amount they owe is a tiny percentage of this film’s $1 million budget…and an even tinier percentage of Michael Moore’s total wealth. He could have easily, with the stroke of a pen, paid off their bills and changed their lives. But that wouldn’t have made good film, would it? Instead, we watch Moore as he films the family getting kicked out of their house, ready to make millions from this film on the backs of those evicted families.

Read the full review.

La Haine (Hate)

1946549_4

There are many powerful films that teach us about the struggling youth culture in the abandoned and forgotten slums of society. John Singleton’s Boyz in the Hood for South Central, Los Angeles, Fernando Meirelles’s Cidade de Deus for Rio de Janiero, Brazil, and now Mathieu Kassovitz’s La Haine, an explosive day in the life of three teenagers in the slums of Paris.

Using a harsh black and white cinéma vérité style, we follow these three after a riot leaves their friend in a coma due to police brutality. Vinz, violent, argumentative and Jewish, admires and mimics Travis Bickle. He vows that he will kill a police officer as revenge if his friend dies. Sayid, a Maghrebin, attempts to straddle the life of a street thug with his sense of right and wrong. Hubert, a Black drug dealer and amateur boxer, laments his situation in the ghetto but feels there’s no way for him to escape his fate. These three personalities are constantly in conflict, and through the course of the film we see how they deal with tragedy, stress, and most importantly hatred.

la haine

Hatred is what drives this film. The teenagers in the slums hate the police. They constantly blare songs that repeat “Fuck the Police!” over and over. They sneer whenever an officer walks by, muttering under their breath. They aren’t threatened at all when an authority figure tries to order them around. The police have all but given up on the youth in the slums. They feel that they’re nothing but violent thugs who should be in prison. Many of the police abuse their power, beating up the teens when they have the chance. Both groups are in a waltz, leading each other towards their mutually assured destruction.

Kassovitz has richly shot this portrait. The cinematography is far from classical Hollywood; we are often given close up, intimate shots of the characters, thrusting the audience right in the middle of the chaos. In other shots, mimicking such films as Citizen Kane, we see very deliberate placing of multiple subjects filling up a wide frame. Kassovitz uses the entire mise-en-scène to tell his story, and it is extremely effective.

539_2

There is a motif throughout the film, a story told by Hubert: A man is falling off a skyscraper. Every few seconds he says to himself, “So far so good… so far so good…” Kassovitz wants the world to know that this mirrors the life of those children, not realizing they are headed towards destruction growing up in the forgotten slums of society. Moreover, those slums are part of Paris, they can’t ignored. We are all in the same boat. We are all falling, thinking everything is going well, not seeing the ground that we’re heading straight towards. Like the man in the story, we are doing nothing to fix our situation. Soon we will hit the ground.